Delivers the real sounds of the first British Invasion.

Sonik Synth 2 free is a fully functioning, but sound set limited, version of Sonik Synth 2. Sonik Synth 2 offers a unique, state-of-the-art software design with many special features and sounds. 32-bit synth engine including IK's multisample playback and exclusive harmonic STRETCH synthesis. 5 global combi effects and 5 insert effects per part for a total of 85 different effects slots. This was a polyphonic Clavioline with 12 individual pitch generators divided down into the usual three octaves ('F' to 'E') using 12 sets of valve-based octave dividers. Sure, its voicing was more limited than that of a monophonic Clavioline but, as the precursor of today's polyphonic synthesizers, its historical value is enormous. Surge by Vember Audio is the best free synthesizer VST plugin right now. It is an insanely powerful hybrid subtractive synth with a dual synthesis engine, three oscillators per voice, eight algorithms per oscillator, two multi-mode filters with eight filter types, twelve LFO modules per voice, eight FX slots with ten different effects, and more. Ondioline KONTAKT P2P 2.88 GB FROM THE EARLY DAYS OF SYNTHS The Ondioline was invented in 1941, and produced in France throughout 1950s/60s. It was conceived by inventor Georges Jenny as a low cost Ondes Martenot; sharing the same lateral vibrato keyboard, with a knee-lever to shape volume. It was entirely valve-based.

Fab Four from EastWest Sounds is a virtual instruments collection inspired by the sounds of the Beatles, using the same kind of period instruments and authentic rare EMI recording equipment the Beatles used to create their music. Fab Four sound engineer Ken Scott worked on five Beatles albums and drummer Denny Seiwell and guitarist Laurence Juber were both members of 'Paul McCartney and Wings'.
No expense was spared finding similar instruments and other recording equipment the Beatles and their producers used back in the day to produce this modern collection. Well over a million dollars worth of instruments, amplifiers, microphones, recording desks (including very rare EMI REDD tube and TG12345 desks), outboard equipment (including Fairchild limiters and EMI RS124 modified Altec compressors), and Studer J-37 tube multi-tracks were used in this production.
If you are a film/TV/game composer, or a musician/producer looking for vintage sounds not found in other collections, this is it. Blending these unique and sometimes bizarre sounds with today's music should enable you to produce something truly spectacular.
Instruments:
•Guitars (some costing over $200,000 each) played by Laurence Juber include Gretsch Firebird (1959), Gretsch Tennessean (1963), Rickenbacker 360-12 (1965), Martin D-28 (1966), Fender Stratocaster (1956), Epiphone Casino (1956), Fender Telecaster (1951), Gibson SG (1960), Les Paul Goldtop (1957), Gibson J200 (1966), Hofner Bass (1963) and Rickenbacker Bass (1964)
•Guitars were sampled with up and down strokes, multiple velocities, and picking styles, some with chords and effects
•Most of the sounds would be impossible to create without all of the above equipment. For example, the 'revostortion' guitar sound was created by feeding a Epiphone Casino guitar into one EMI REDD 47 preamp, and the output into a second EMI REDD 47 preamp, which is exactly how it was created originally by the EMI/Abbey Road engineers
•Drums played by Denny Seiwell include a rare 1960 Ludwig downbeat kit with Zildjian cymbals (22' x 14' kick, 5' x 14' snare, 9' x 13', 16' x 16' toms, 18' crash medium, 20' crash ride, 14' Hi-Hat)
•Drums are all multisampled with up to 16 velocity layers, as well as left and right hand. The sounds were all matched to a particular style (e.g. A Day in the Drums, Ticket to Drums, Yer Drums). They even recorded some heavily modulated cymbals through a Fairchild limiter for authenticity
•The keyboards in this collection are categorized by in catchy titles that match the instrument to the songs they were made famous by such as Because I'm a Harpsichord Baldwin Electric Harpsichord), Baby I'm a Clavioline (Clavioline/Baldwin amp), Lucy in the Lowery (Lowery Heritage Deluxe Organ), Strawberry Flutes (original sound licensed from www.mellotron.com), We Can Work a Harmonium (Harmonium), and other stringed instruments including Swarmandel Forever (Swarmandel).
Effects:
Fab Four includes a software version of ADT (artificial double tracking) with built-in tape simulator, created and programmed specially for this project. The software includes smooth filters, delay, and multiple high-quality reverb choices.
Interface
Powered by EastWest's PLAY 64-bit (and 32-bit) Advanced Sample Engine with built-in Network Control (plug-in or standalone), this virtual instrument combines intuitive handling with excellent sound quality, and functions as a plug-in instrument without the need for a sampler.

EastWest Fab Four Virtual Instruments Collection Features:

Key facts:
Produced by Doug Rogers
Engineered by Ken Scott (Beatles/David Bowie/Elton John/Supertramp, etc.)
Includes authentic rare period guitars (acoustic and electric), basses, drums, keyboards, stringed and other misc. instruments
The same kind of microphones were used to record all instruments (Neumann/AKG/Cole/STC)
The same kind of period amplifiers - Vox AC30 (1963), Fender Showman (1967), Fender DeLuxe (1967), Fender Tan Showman (1963), Vox Defiant (1966), Vox 730 (1966), Vox 7120 (1966), Fender Bassman (1963) - were used with the electric guitars
The same kind of recording desks and preamps, including a very rare EMI REDD tube desk, the EMI TG12345 desk (the same kind of desk used to record 'Abbey Road' and Pink Floyd's 'Dark Side of the Moon'), and EMI REDD47 preamps, were used to record all instruments
The same kind of limiters (Fairchild) and compressors (rare EMI RS124 modified Altec) were used for dynamics control
The same kind of Studer J-37 tube 4-track was used to record everything
All instruments are newly recorded multisamples for this collection and none of the sounds came from any Beatles music or records (Beatles is a registered trademark of Apple Corp, Ltd. All other product and company names are trademarks of their respective holders.)
(Please Note: This product is not affiliated with, or endorsed by the Beatles or Apple Corps, LTD.)
PLAY 64-bit (and 32-bit) Advanced Sample Engine
A complete high-performance sample management system
Offers native support for many platforms
Network support for large studios, expandable systems
64-bit supports next generation operating systems
High sound quality (ground-up effects, highest quality interpolation)
The best virtual instruments from the multiple award-winning EASTWEST/QUANTUM LEAP producers
Intuitive controls, custom designed for each library
Complete portability
Let's you try and buy new instruments any time, anywhere with an internet connection

Authentic instruments, vintage-correct equipment, and top notch performances are yours! Just call or click now!

Note: Stratocaster®, Strat®, Telecaaster ®, Tele®, Precision Bass®, P Bass®, Jazz Bass®, J Bass, and the unique headstock designs of these guitars are trademarks of Fender Musical Instruments Corporation (FMIC). All rights reserved. FMIC is neither affiliated with nor endorses any non-FMIC products.

EastWest Fab Four Virtual Instruments Collection Specifications:

System Requirements:
13GB Free Hard Disc Space
DVD Drive
iLok Security Key (a free soundsonline.com account is required for retrieving and managing iLok licenses)
One iLok key will hold 100 registrations for all future releases.
Recommended system
Windows XP (32 and 64-bit), Vista (32 and 64-bit), PIV, 1GB of RAM,
Mac OS X 10.4 or higher , Power PC or Intel MAC
Supported interfaces:
WIN: VST, RTAS, ASIO, DirectSound
MAC: VST, Audio Units, Core Audio, RTAS

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